Elisabeth Kulman
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Instrument: mezzo-soprano, alto

Photographer: Julia Wesely ©

Kulman Elisabeth

Education

PeriodEducationInstrumentTeacherEducation OrganisationLocation

vocal studies (Helena Lazarska), graduation with distinction

Activities

PeriodActivityOrganisationLocation
2001

debut

some of her most important parts are Fricka (Rheingold, Walküre), Waltraute (Götterdämmerung), Carmen, Marina (Boris Godunow), Mrs. Quickly (Falstaff), Herodias (Salome), Ulrica (Maskenball), Orlofsky (Fledermaus)

collaborations with conductors like Nikolaus Harnoncourt, Franz Welser-Möst, Thomas Hengelbrock

focus on concerts: regular collaborations as a solist with a big band width with the Vienna Philharmonic Orchestra

Performances (Selection)

PeriodPerformanceCompositionOrganisationLocation

recital "Mahler Lieder"

interpretations

Gora in the world premiere of Aribert Reimann's "Medea"

Smeton in Donizetti's "Anna Bolena" next to Anna Netrebko and Elina Garanca

lied: besides of duo-concerts also unconventional projects like “Mussorgsky Dis-Covered” with an international jazz quartet

2007

baroque opera "Il Giustino" by Giovanno Legrenzi

2010

debut as Orfeo in Gluck's opera under Riccardo Muti

Awards

PeriodAwardCompositionAwarding Organisation
2007

Eberhard Waechter Medal for Prinz Orlofsky, Die Fledermaus

Discography, Projects

Discography:

  • 2012: Hans Sommer: Sapphos Gesänge/Goethe-Lieder (Tudor)
  • 2011: Liszt - Roots & Routes (with Eduard Kutrowatz; Preiser Records Vienna)
  • 2010: Mussorgsky Dis-Covered (Preiser Records Vienna)
  • 2009: Mahler Lieder (Material Records)

Contact, Links

Website:  Offizielle Homepage