Martin Breindl
Genre: Neue Musik

Breindl Martin

Compositions

# Title Year of Originsort icon Duration Instrumentation Category
1 Die Bühne ist leer - Intermediainstallation 1996
2 White Light/White Noise - part III - Videoinstallation von Sodomka/Breindl 1996
3 Die Differenzmaschine - ein Event mit einem Theaterraum - Intermediaperformance von Sodomka/Breindl, Peter Mechtler, Norbert Math, Florian Radon, Peter Walz, Petra Ganglbauer 1996 1h
4 Die Differenzmaschine - ein Event mit einem Theaterraum - Intermediaperformance von Sodomka/Breindl, Peter Mechtler, Norbert Math, Florian Radon, Peter Walz und Petra Ganglbauer 1996
5 LIVEstations - Klanginstallation 1995
6 The History of the Future of Memory - Radiokomposition 1995 48m
7 LIVEstations - Topografische Installation von Sodomka/Breindl und Eva Rotter 1995
8 Channel 9 - Biofeedbackperformance von Sodomka/Breindl 1995 50m
9 Tempo Compresso/Spazio Sospeso (accelerato) - Akustischer Katalog 1994 8m 49s
10 State of Transition - Radio Edit - Radiophones Stück 1994 2m
11 Tempo Compresso/Spazio Sospeso (accelerato) - Akustischer Katalog 1994 8m 49s
12 State of Transition - Intermediainstallation von Sodomka/Breindl 1994
13 State of Transition - Radio Edit - Radiophones Stück 1994 2m
14 Nahe Ferne. Zeitgleich II - Installation von Sodomka/Breindl/Math 1994
15 Klangnachricht mit Redefragmenten - Radiokomposition 1994 8m
16 State of Transition - Telematisches Live-Radioevent 1994 45m
17 Tempo Compresso/Spazio Sospeso - Radiophone Arbeit 1993 35m
18 Tempo Compresso/Spazio Sospeso - Radiophone Arbeit 1993 35m
19 Double Identity - Radiophone Arbeit 1992 1h
20 Frozen Moments - Ungefähre Wirklichkeit - Radiophone Überarbeitung 1991 8m
21 Ornamentale Reise - Radiophones Stück 1991 21m
22 Künstliche Landschaft. Für Gene Roddenberry - Sound Object (Klangminiatur) 1991 30m
23 Frozen Moments - Unendliche Gegenwart - Videoperformance von Sodomka/Breindl 1991 18m 44s
24 Frozen Moments - Ort ohne Raum - Intermediaperformance von Sodomka/Breindl 1991 45m
25 Frozen Moments - Ungefähre Wirklichkeit - Radiophone Überarbeitung 1991 8m
26 Ein Exkurs über die Leichtigkeit - Intermediainstallation von Sodomka/Breindl 1990
27 Der schädliche Raum - Intermediaperformance 1989 12m 30s
28 Damenmord - Multimediaperformance 1987 45m

General Information

Year of Birth:  1963
Date of Birth:  19. July 1963
Place of Birth:  Vienna
Region of Birth: 
Country of Birth: 
Nationality: 

Education

PeriodEducationInstrumentTeacherEducation OrganisationLocation
1982 - 1991

University of Applied Arts Vienna, Vienna

Vienna University, Vienna: German language and literature

Activities

PeriodActivityOrganisationLocation
1986

started cooperation with Andrea Sodomka

1997

founding of the artists' network ALIEN PRODUCTIONS, together with Andrea Sodomka (A), Norbert Math (I) and August Black (USA) for the purpose of works related to the theory and practice of using new technologies and media. Completed numerous intermedia projects in Austria and abroad. Fields of work include intermedia art, sound art, net.art, radio art, video and visual art

Performances (Selection)

PeriodPerformanceCompositionOrganisationLocation
1986

Acustica 86, Museum des 20. Jahrhunderts Vienna

1987

Junge Szene '87, Wiener Secession

1988

XVIIIe Festival International de Musique Expérimentale Bourges

1989

Akademie der Künste Berlin

1989

Musik und Technik, Vienna Museum of Technology

1989

Technical University Berlin: simultaneous performance

1991

Interferenzen III, Museum of Modern Arts Ludwig Foundation Vienna

1991

Österreich Heute, Vienna Konzerthaus

1991

Transformator, Funderwerk 3

1992

Das Andere Mittelalter, Kunsthalle Krems

1992

Galerie Eigen+Art Berlin

1992

Musiktheaterkeimzellen, Jugendstiltheater Wien

1993

3er Festival Internacional de Música Contemporánea, Centro Cultural Gimnasio Moderno, Bogotá/Colombia

1993

Progetto Civitella d'Agliano

1993

Trigésimo Festival de Música Religiosa, Templo de la Encarnacion Popayán/Colombia

1994

L'arte dell ascolto

1994

State of Transition, Neue Galerie Graz - V2 Rotterdam NL - Internet -Austrian Broadcasting Corporation Kunstradio: televised live radio Internet event

1994

Zeitgleich, Kunsthalle Tirol Hall

1995

Kunstraum Remise Wien

1995

Sound Experience, ESC Graz

1996

Musik und Licht, Podewil Berlin

1996

sonambiente, Berliner Ensemble

1997
1997

Centro de la Imagen Mexico City

1997

documentaX, Orangerie Kassel

1997

Recycling the Future 4, Radiokulturhaus Wien

1998

Austrian Artists Take Space, Otis Gallery Los Angeles

1998

Kunst in der Stadt 2, Kornmarkttheater Bregenz

1998

Museum der Wahrnehmung MUWA Graz

1998

O.K Centrum für Gegenwartskunst

1998

Resistance Fluctuations, ACE Gallery Los Angeles

1999

European Forum Alpbach

1999

Klangkunstfestival UND II Wiesbaden

1999

Residenztheater München

1999

O.K Centre for contemporary art and 15 other networked spaces (Sound Drifting)

2000

GATEways, Vienna/A - Melbourne/AUS - Beograd/YU - Erfurt/Weimar/D - Vancouver/CAN: On Line - On Site - On Air Projekt

2000

liquid music Judenburg

2000

Wiencouver 2000, Radiokulturhaus Vienna

2001

7th International Festival of Computer Arts, Galerie Media Nox Maribor

2001

hamburger musikfest, Musikhalle Hamburg

2001

liquid music Judenburg

2001

Dom im Berg

Awards

PeriodAwardCompositionAwarding Organisation
1990

recognition award for visual arts

1992

work scholarship for visual arts, section "cross-over"

1994

Prix Italia 1994: nomination for the CD project "The Furure of Memory" as an official Austrian contribution by the Austrian Broadcasting Corporation

1994

recognition award for visual arts

1995

state scholarship for visual arts

Press Reviews

28. August 1996

Captive of the virtual world
Sodomka and Breindl bring people together and let them become a part of technical, sensual creative work. An integrated work of art results, a new, different world of theatre, both fleeting and fascinatingly haunting. Nothing is real anymore, as reality is created anew, on one wall one sees a reflection of the industrial age, man moves away but actually remains, usually invisible, behind the wheels, the creator of visionary coincidence of sound, light, image and movement. He plays a role in a "fabric" which could be the world and which is subject to a painless cycle of life and death. [...] Fifty minutes which challenge one to ponder on for a very long time.

Der Tagesspiegel (Christoph Funke)

20. November 1998

Careful treatment of the material, which seeks and sustains moods, is rare, not at all contemporary, and is definitely an exception to postmodern arbitrariness. It is the content that dictates the artistic rendition [...] The responsibility towards a given content results in a specific way of working, which throws the image of a solitary pottering artistic genius back to the 19th century, and with it also the concept of a work as something written in stone: "Artists have to develop a matrix which enables a network of creative people from all fields to work together on a given project", says Martin Breindl [...] Andrea Sodomka and Martin Breindl, both graduates of the University of Applied Arts Vienna, have been working together since 1986. They see themselves as an open group who decide on a given medium depending on the content theme and then organise a network according to this decision. Stereotype thinking is passé.

Der Standard (Andrea Zschunke)

Contact, Links

Language:  German, English
Address:  Zieglergasse 31, 1070 Vienna, Österreich
E-Mail:  breindlatalien [dot] mur [dot] at