| Period | Education | Instrument | Teacher | Education Organisation | Location |
|---|---|---|---|---|---|
|
1982 - 1991
|
University of Applied Arts Vienna, Vienna | ||||
|
Vienna University, Vienna: German language and literature |
| Period | Activity | Organisation | Location |
|---|---|---|---|
|
1986
|
started cooperation with Andrea Sodomka | ||
|
1997
|
founding of the artists' network ALIEN PRODUCTIONS, together with Andrea Sodomka (A), Norbert Math (I) and August Black (USA) for the purpose of works related to the theory and practice of using new technologies and media. Completed numerous intermedia projects in Austria and abroad. Fields of work include intermedia art, sound art, net.art, radio art, video and visual art |
| Period | Performance | Composition | Organisation | Location |
|---|---|---|---|---|
|
1986
|
Acustica 86, Museum des 20. Jahrhunderts Vienna | |||
|
1987
|
Junge Szene '87, Wiener Secession | |||
|
1988
|
XVIIIe Festival International de Musique Expérimentale Bourges | |||
|
1989
|
Akademie der Künste Berlin | |||
|
1989
|
Musik und Technik, Vienna Museum of Technology | |||
|
1989
|
Technical University Berlin: simultaneous performance | |||
|
1991
|
Interferenzen III, Museum of Modern Arts Ludwig Foundation Vienna | |||
|
1991
|
Österreich Heute, Vienna Konzerthaus | |||
|
1991
|
Transformator, Funderwerk 3 | |||
|
1992
|
Das Andere Mittelalter, Kunsthalle Krems | |||
|
1992
|
Galerie Eigen+Art Berlin | |||
|
1992
|
Musiktheaterkeimzellen, Jugendstiltheater Wien | |||
|
1993
|
3er Festival Internacional de Música Contemporánea, Centro Cultural Gimnasio Moderno, Bogotá/Colombia | |||
|
1993
|
Progetto Civitella d'Agliano | |||
|
1993
|
Trigésimo Festival de Música Religiosa, Templo de la Encarnacion Popayán/Colombia | |||
|
1994
|
L'arte dell ascolto | |||
|
1994
|
State of Transition, Neue Galerie Graz - V2 Rotterdam NL - Internet -Austrian Broadcasting Corporation Kunstradio: televised live radio Internet event | |||
|
1994
|
Zeitgleich, Kunsthalle Tirol Hall | |||
|
1995
|
Kunstraum Remise Wien | |||
|
1995
|
Sound Experience, ESC Graz | |||
|
1996
|
Musik und Licht, Podewil Berlin | |||
|
1996
|
sonambiente, Berliner Ensemble | |||
|
1997
| ||||
|
1997
|
Centro de la Imagen Mexico City | |||
|
1997
|
documentaX, Orangerie Kassel | |||
|
1997
|
Recycling the Future 4, Radiokulturhaus Wien | |||
|
1998
|
Austrian Artists Take Space, Otis Gallery Los Angeles | |||
|
1998
|
Kunst in der Stadt 2, Kornmarkttheater Bregenz | |||
|
1998
|
Museum der Wahrnehmung MUWA Graz | |||
|
1998
|
O.K Centrum für Gegenwartskunst | |||
|
1998
|
Resistance Fluctuations, ACE Gallery Los Angeles | |||
|
1999
|
European Forum Alpbach | |||
|
1999
|
Klangkunstfestival UND II Wiesbaden | |||
|
1999
|
Residenztheater München | |||
|
1999
|
O.K Centre for contemporary art and 15 other networked spaces (Sound Drifting) | |||
|
2000
|
GATEways, Vienna/A - Melbourne/AUS - Beograd/YU - Erfurt/Weimar/D - Vancouver/CAN: On Line - On Site - On Air Projekt | |||
|
2000
|
liquid music Judenburg | |||
|
2000
|
Wiencouver 2000, Radiokulturhaus Vienna | |||
|
2001
|
7th International Festival of Computer Arts, Galerie Media Nox Maribor | |||
|
2001
|
hamburger musikfest, Musikhalle Hamburg | |||
|
2001
|
liquid music Judenburg | |||
|
2001
|
Dom im Berg |
| Period | Award | Composition | Awarding Organisation |
|---|---|---|---|
|
1990
|
recognition award for visual arts | ||
|
1992
|
work scholarship for visual arts, section "cross-over" | ||
|
1994
|
Prix Italia 1994: nomination for the CD project "The Furure of Memory" as an official Austrian contribution by the Austrian Broadcasting Corporation | ||
|
1994
|
recognition award for visual arts | ||
|
1995
|
state scholarship for visual arts |
28. August 1996
Captive of the virtual world
Sodomka and Breindl bring people together and let them become a part of technical, sensual creative work. An integrated work of art results, a new, different world of theatre, both fleeting and fascinatingly haunting. Nothing is real anymore, as reality is created anew, on one wall one sees a reflection of the industrial age, man moves away but actually remains, usually invisible, behind the wheels, the creator of visionary coincidence of sound, light, image and movement. He plays a role in a "fabric" which could be the world and which is subject to a painless cycle of life and death. [...] Fifty minutes which challenge one to ponder on for a very long time.
Der Tagesspiegel (Christoph Funke)
20. November 1998
Careful treatment of the material, which seeks and sustains moods, is rare, not at all contemporary, and is definitely an exception to postmodern arbitrariness. It is the content that dictates the artistic rendition [...] The responsibility towards a given content results in a specific way of working, which throws the image of a solitary pottering artistic genius back to the 19th century, and with it also the concept of a work as something written in stone: "Artists have to develop a matrix which enables a network of creative people from all fields to work together on a given project", says Martin Breindl [...] Andrea Sodomka and Martin Breindl, both graduates of the University of Applied Arts Vienna, have been working together since 1986. They see themselves as an open group who decide on a given medium depending on the content theme and then organise a network according to this decision. Stereotype thinking is passé.
Der Standard (Andrea Zschunke)