Deppe Renald

Compositions

# Title Year of Originsort icon Duration Instrumentation Category
1 Kleinfeine Fliegfriedamusik - Hörbuch zu Kindergeschichten von und mit Elfriede Gerstl 2003
2 Tracht, Pflicht - Musik zum Theaterstück von Bodo Hell 2003
3 La Boheme - Neuinszenierung/vertonung der Oper 2001
4 TrioRio II 2000 6m
5 Lamentationes 1999
6 Perpetual Silence 1999
7 Irrlicht - Wintermusikalische Irritation 1996 20m
8 Laudanum - Klangsäulen - für 1-8 Melodieinstrumente 1995
9 Parerga für Anton von Webern 1995 4m
10 Brainstreammusic - Sechs vierstimmige Kontrapunkte 1995 15m
11 Hört - Hört! - 2 x 2 Handlungsbedürfnisse (Hör und Spiel Musik) 1995
12 Hipbegalopphopbop 1995 7m
13 United colours of dirty tones 1994 30m
14 Painstreammusic - His Masters Noise 1994 1h
15 Interpolation - Variationen zur österreichischen Bundeshymne 1993 18m
16 Faden der Ariadne - für Blasorchester und Solisten 1992 30m
17 Prelude to a kiss and a C Jam Blues - Eine Entartungsmusik 1991 20m
18 Variationen über kein Thema von Josef Matthias Hauer - für Fagott, Sopransaxophon und Klavier 1990 7m - 45m
19 Jimbo - Metamorphosen für Posaune, Altsaxophon, Violine, Viola und Klavier 1990 12m
20 Konzert für Kammerorchester und Dichter 1989 25m
21 Albolina - Kinderoper für Masken und 4 Instrumentalisten 1988 1m
22 Duo - für Violine und Violoncello 1987 10m
23 Phonologische Passion - für Violoncello, Klarinette und Sprecher 1987 30m
24 Triorio - für Kontrabass, Flöte und Klarinette 1986
25 Tenebrae - Streichsextett 1984 18m
26 Novecento - Theatermusik
27 Ria nackt: eine Racheoper
28 Mohr im Hemd - Musik zum Theaterstück von Bodo Hell
29 Donna Juanna - Musik zum Theaterstück von Bodo Hell
30 Dimitroff - anarchospektrale Aufbaumusik
31 Nell Breve Arco Del Mio Tempo
32 Troparion - Fraktale Hymnographie nebst einigen wohlfeil gesetzten Versauungen nach den vortrefflich gearbeiteten Traumbericht-Texturen eines Andreas Okopenko
33 abgefahren! - eine komische Kinderoper
34 tenebre

General Information

Year of Birth:  1955
Date of Birth:  4. August 1955
Place of Birth:  Bochum
Country of Birth: 
Nationality: 

Renald Deppe was born in Bochum in 1955. He studied clarinet and composition at the Folkwang University in Essen and received his further musical education in Berlin and at the University of Music and the Performing Arts, Vienna. He has played the saxophone and clarinet in ensembles for classical, contemporary and improvised music. Deppe was the founder and the artistic director of several festivals and cultural initiatives. Parallel to his work as promoter, curator and concept designer of music projects aside from a mainstream catering to listening habits, Deppe made himself a name as a composer of several commissions. His work focuses on chamber music, music theatre, graphic-sheet music, interdisciplinary project design, installations and sound graphics. With his ensemble "Capella con Durezza", founded in 1992 and bringing together artists from all kinds of domains due to its varying instrumentation, Deppe systematically develops theme-oriented programmes (Kurt Weill, Charles Mingus, Bert Brecht, Duke Ellington, Second Viennese School, anthem, German Schlager, Hugo Wolf etc.), in which multimedia techniques (film, literature, performance) are employed in addition to jazz embellishments, as well as principles of contemporary music and its improvisation techniques. Renald Deppe defines this laughingly as "Arts festival configuration music - the structure and interactive relationship of individual experiences in one common context." About his second band project, the "Wachauer Pestbläser", of which musicians Gerd Jonke, Christoph Chech and others have been part of so far, Deppe says on his website ", The Wachauer Pestbläser understand themselves as a charitable association out of necessity with limited grip, founded for the inexpensive disport of the mind." As a musician Deppe performed at several international festivals (Saalfelden, Berlin, Moscow, Krakow, Budapest, Rome, St. Petersburg etc.), his graphic sheet music has been displayed repeatedly in galleries.

Education

PeriodEducationInstrumentTeacherEducation OrganisationLocation

Folkwang University, Essen/FRG: clarinet

Folkwang University, Essen/FRG: piano

Folkwang University, Essen/FRG: composition

Musisches Gymnasium

further studies

Activities

PeriodActivityOrganisationLocation
1988 - 1997

founder and artistic director of the monthly performed Arts festival

1991 - 1998

Österreichische Beamtenversicherung, Vienna: founder and artistic director of the Grabenfesttage (in cooperation with Dr. Johann Hauf)

1994 - 1998

founder and manager of the Jazz club together with Christoph Huber and Mathias Ruegg

1997 - 1998

musical director

2001 - 2003

founder and artistic director of the festival in cooperation with Dr. Peter Leisch

2005

festival 21, Vienna: artist in residence

2006

artist in residence

kursiv: co-publisher of the Upper Austrian art magazine

founder and artistic director

founder and artistic director of the ensemble

teacher

teacher

Performances (Selection)

PeriodPerformanceCompositionOrganisationLocation

Landestheater Salzburg

Easter Festival Krakow

Burgtheater

Schauspielhaus Salzburg

among others

Awards

PeriodAwardCompositionAwarding Organisation
2006

Ernst Krenek Award

Press Reviews

No one else walks so effortlessly through the ferro-concrete walls of the Viennese music scene. No one else is followed onto the stage by such antithetical artists. And that, in most cases, for little money. Vienna would not be imaginable without Renald Deppe as a catalyst, organiser and notorious self-exploiter, and neither as a creative artist.

ORF (Robert Bilek)

The result of several weeks' work is captivating: the new composition sounds very professional , the change between jazzy sounds and atonality and then the change into folklore seems effortless. An exciting festival start.

Die Presse

Even as a composer, Renald Deppe sometimes moves aside from tradition. Five staves have not been sufficient enough from him for quite some time. Skilfully, he puts his musical ideas into graphics. These graphic notations, which rather correspond to a description of emotions and conditions, are pieces of art in their own right. Ronald Deppe creates his compositions using Indian ink and water colour techniques and then they sound as delicate as his pictures appear [...] the compositions are of most filigree quality for everybody. You do not have to be a musician to wander through these musical landscapes.

Concerto (Alfred Krondraf)

Renald Deppe managed to sound like Renald Deppe: quite wild and loud, highly charged and virtuosic, insinuating and, sometimes, even funny. When he goes about working on existing pieces, be it American standards or Russian farcical operas, he works on it very seriously, adjusting clichés, moves familiar perspectives - and leaves enough musicality for the less experienced listeners to be astonished. When he plays freely, he likes taking off the mouth piece of his instrument and then he really gets going...

Falter (Carsten Fastner)

Teacher of (Person)

Contact Person of (Organisation)