Clemens Gadenstätter
Subgenre:
Instrument: flute

Photographer: Abbe J. Libansky ©

Gadenstätter Clemens

Compositions

# Title Year of Originsort icon Duration Instrumentation Category
1 daily transformations 2016 - 2017
2 les derniers cris (E.P.O.S. I) 2015
3 les premiers cris (E.P.O.S. III) 2015 - 2016
4 reissen (Paramyth 3) 2014 20m
5 schlitzen (Paramyth 2) 2014
6 les cris des lumières (E.P.O.S. II) 2014
7 häuten (Paramyth I) - for string quartet 2012 22m
8 Sad Songs - Quartet for Saxofone, E–Guitar, Drums and Piano 2012 24m
9 Bildstudie: mit Ruttman op. 3 - für Ensemble und Licht(-bilder) 2011
10 ES - Für Sprechstimme, Stimme, Ensemble, Elektronik und Film 2011 26m
11 Pictures of an exibition - ICONOSONICS III 2010 ~ 28m
12 Blüten. eine Sozialeschnittstelle - für eine Lesende und Variables Ensemble 2010
13 Le gôut du son - for contrabass clarinet 2010 13m
14 WEH - Madrigal 2 2010 - 2011 ~ 16m
15 FLUCHTEN/AGORASONIE 2009 ~ 23m
16 FIGURE - ICONOSONICS I 2009 ~ 27m
17 BODIES - ICONOSONICS II - for e-guitar, accordeon and electronics 2009 - 2010 ~ 27m
18 SEMANTICAL INVESTIGATIONS II 2007 ~ 26m
19 HEY - Madrigal 1 2007 ~ 14m
20 SEMANTICAL INVESTIGATIONS I 2006 ~ 36m
21 Madrigale - for six solo parts 2006 ~ 30m
22 Porque fue sensible - Scene Nr.3 after Francisco de Goya 2006 6m
23 Hilan delgado - Scene Nr.2 after Francisco de Goya 2006 4m
24 Encore: Tal para qual - Scene Nr.4 after Francisco de Goya 2006 7m
25 powered by emphasis (ballade 2, 3, 4) - for vocal, combo, choir, orchestra and electronics 2005 ~ 45m
26 Tal para qual - Scene Nr.1 after Francisco de Goya 2004 7m
27 Songbook # 0-11 - Trio for saxophone, drums and piano 2001 36m
28 Comic sense 2001 ~ 60m
29 Polyskopie 2000 - 2001 33m
30 Wir müssen einzelne irgendwann bitten, alle jetzt aufzupassen - Hörstück für 36 raumverteilte Lautsprecher 2000 29m
31 akkor(d/t)anz - für Klavier 1999 - 2000 38m
32 akkor(d/t)anz 1999 - 2000 38m
33 ballade I - for vocals and piano 1997 ~ 24m
34 ballade II - für Frauenstimme, Klavier und Projektion 1997 25m
35 auf takt - Musik für großes Orchester 1997 - 1999 ~ 34m
36 schlagsaiten - kleine Studie für 2 Gitarren 1997 4m
37 Variationen und alte Themen - quartet for trombone, guitar, violoncello and double bass 1996 ~ 34m
38 Streichtrio II/Palimpsestation éléctronique 1996 23m
39 Streichtrio II - friktion 1995 ~ 23m
40 Versprachlichung - Videoinstallation, acht Instrumente und Tonband 1994 ~ 40m
41 schniTt für Ensemble 1993 - 1995 ~ 21m
42 Sextett 1993 16m
43 Duo für Violine und Violoncello - Studie I 1992 ~ 25m
44 ... für zwei Klaviere - Studie II 1992 ~ 22m
45 Versprachlichung - Musik für acht Instrumente und Tonband 1992 - 1994 ~ 18m
46 Musik für Soli und Ensemble 1991 30m
47 Musik für Soloflöte 1991 ~ 12m
48 Trio - for violin, viola and violoncello 1990 16m
49 Musik für Orchesterensembles 1990 ~ 18m
50 Trio - for violin, bass clarinet and piano 1990 - 1991 ~ 24m
51 Un coup de des - für Sopran, Sprechstimme, Ensemble 1989
52 Sieben Klavierstücke 1989
53 Quartett 1989
54 4 Szenen nach Goya - for guitar and vocals ~ 19m
55 schlitzen/Paramyth 2 21m
56 bersten/platzen (paramyth 4) 24
57 locked - In (version a) 10m
58 locked - In (version b) 6m
59 moved by (A, B & C)

General Information

Year of Birth:  1966
Date of Birth:  26. July 1966
Place of Birth:  Zell am See
Region of Birth: 
Country of Birth: 
Nationality: 

Education

PeriodEducationInstrumentTeacherEducation OrganisationLocation

private lessons at the age of five: recorder, concert flute, piano, ensemble work

1979

lessons with Urs Wollenmann

1979

lessons with Urs Wollenmann

1979

theory (music theory, counter point, aural training, analysis)

1984 - 1991

composition

1984 - 1992
1991

diploma with distinction, composition

1992

diploma with distinction

1992 - 1995

post-graduate studies in composition

Activities

PeriodActivityOrganisationLocation
1989 - 1992

member as flutist and councillor for the programme

1990

founder and ensemble director

1992 - 1994

collaborating with American video artist Joseph Santarromana

1993 - 1994

working in the electronic studio (together with Peter Böhm) in the realization of the tape for the piece "Versprachlichung"

1994

ever since presentations and lectures (published in: "ton", Winter 1994/1995)

1994

presentations and lectures

1994

lecturer at the performers' workshop for contemporary music

1995

collaboration with dancer and choreographer Rose Breuss

1994

selection of "Versprachlichung" for the performers' workshop with Peter Eötvös

1995

teacher at the Institute for Composition

1995 - 2000

ISCM Austria: publishing the music magazine "ton" (in cooperation with Alexander Stankovski)

1996

working on the production of the play "idiot" by Konrad Bayer (together with Lisa Spalt)

1996

participation in the radio play "der berg" by Konrad Bayer (direction of text: Lisa Spalt)

1996

publication of theoretical work on the relationship between music/speech

1998

musical director and conductor of the "6 Tage Spieles" of the O.M.Theatre by Hermann Nitsch

1998

teaching assignment

2000

conception and organization of the six-part series of events "SALON13" (together with Lisa Spalt)

2000 - 2001

conception and organisation: "Lange Nacht der Neuen Musik" (together with Johannes Kallitzke)

2000 - 2001

development of the electronics to "SONG BOOK # 0-11" with Peter Böhm

2001

founder of the association "werkschaft" for the promotion of alternative perception in cooperation with Lisa Spalt, Ilse Kilic and Fritz Widhalm

2001

working on the sound track for radio play "wir müssen einzelne irgendwann bitten, alle jetzt aufzupassen" with Anton Reininger

2002 - 2004

development of the electronics for COMIC SENSE with Peter Böhm and Florian Bogner (Musiklabor Vienna)

2003

professorship for music theory and analysis

2004

working at SWR Experimental Studio of the Heinrich Strobel Foundation; realization of electronic parts to "powered by emphasis"

2007 - 2008

working on the electronics parts to SEMANTICAL INVESTIGATIONS 1 and 2 together with Florian Bogner and Peter Böhm (Musiklabor Vienna)

2009 - 2010

realization of theplayback-tape to "Pictures of an Exibition / ICONOSONICS III" together with Peter Böhm and Florian Bogner

2012 - 2014

work at the iem (Institute of Electronic Music at the KUG-Graz) and in the project "patterns of intuition" in collaboration with Gerhard Nierhaus

2013 - 2015

realisation of the electronics for the music-theatre NERONE

2013

guest professor: Hochschule für Musik Carl Maria von Weber

2013

lecturer

2013

lecturer: Ung Nordisk Musik/Young Nordic Music Festival

2013

masterclasses

2013

lecture "weak–S&ebodies"  and  "Kognition und Neue Musik"

2014

Institut für Klangforschung: composer in residence, concerts, lectures

2014

lecturer for composition and Tutor Ensemble project

2015

teaching; Kiev International master-Classes for New Music; Kiev/Ukraine

2015

lecturer for composition

2015

lectures, seminars and Masterclasses

conductor and ensemble director of various ensembles (Ensemble '86, Ensemble Polwechsel etc.)

several publications and CD-productions

Performances (Selection)

PeriodPerformanceCompositionOrganisationLocation
1991

Lange Nacht der neuen Klänge

1994

World Music Days

2005

Portrait Concert

2005
2007
2007

Portrait Concert

2008
2008
2009
2010

Ensemble L'Instant Donné

2010
2011
2011
2012
2012

Interpretationsfestival

2013

Ensemble asamisimasa – ( premiere; complete version with movie)

2013

Ensemble Nickel

2014

place tba; Mivos Quartet

2014
2014

Toulouse, Théâtre Garonne; ensemble l'instant donné

2015
2015

les derniers cris – E.P.O.S. II

Awards

PeriodAwardCompositionAwarding Organisation
1987

work scholarship for composition

1992

composition contest "Young Composers' Forum": prize winner

1993

state scholarship for composition

1994

work scholarship for composition

1994

promotional award

1995

annual scholarship for composition

1997

promotional award

1997

Publicity Award of the des SKE Fund

1999

state scholarship for composition

2005

student exchange scholarship for 2006

Contact Person of (Organisation)