Photographer: Dorota Stafij ©
| Period | Education | Instrument | Teacher | Education Organisation | Location |
|---|---|---|---|---|---|
|
1975
|
studies (Horst Matthäus) | ||||
|
1986 - 1989
|
Adalbert Stifter Gymnasium Linz: school leaving examination | ||||
|
1989 - 1995
|
studies: composition | ||||
|
1995
|
diploma in instrumental and vocal pedagogy (Gottfried Hemetsberger) | ||||
|
1995 - 1998
|
jazz piano | ||||
|
1995 - 1998
|
studies: composition (Doug Hammond) | ||||
|
2007
|
ever since studies in composition | ||||
|
2011
|
first diploma with honours | ||||
|
2012
|
studies: composition | ||||
|
2012
|
studies with Zygmunt Krauze and Krzysztof Knittel in Poland | ||||
|
2012
|
master classes with Klaus Huber, Fabio Nieder and José Manuel López López |
| Period | Activity | Organisation | Location |
|---|---|---|---|
|
1981
|
first disk recording | ||
|
1995 - 1999
|
Landesmusikschule Enns/St. Florian: teacher for piano | ||
|
1997 - 1998
|
concert series with her own compositions and arrangements in jazz and classical avant-garde | ||
|
1997 - 1998
|
collaboration with Cornelia Giese, Christian Weber, Igor Lumpert and Tomaz Grom | ||
|
2000
|
ever since teacher for piano | ||
|
2001
|
Mysterious Adventures: performance of compositions by John Cage, George Crumb and Henry Cowell, together with Roland Schueler and Erwin Klambauer | ||
|
2005 - 2009
|
Klangwerkstatt: direction | ||
|
2005 - 2009
|
interdisciplinary cooperation | ||
|
2009
|
Meetingpoint Messiaen: lecture on own compositions | ||
|
special devotion to the exploration of the piano, experimental work with fixed and movable preparation, as well as free improvisation | |||
|
participating |
| Period | Commission | Composition | Commissioner (Organisation) | Commissioner (Person) |
|---|---|---|---|---|
|
festival Linzkunst-Kunstlinz | ||||
| Period | Award | Composition | Awarding Organisation |
|---|---|---|---|
|
1981
|
winner | ||
|
1995
|
Helmut-Schiff-Schenkung: award winner | ||
|
Das Podium: winner in the category ensemble with George Crumb's "Vox Ballaenae" | |||
|
composition scholarship in London with Francis Shaw |
1987
on: Why! You? ?!
[...] Tanja Brüggemann works quite the opposite, with no recognizable music forms from the tradition, and [...] offers a surprisingly rich palette of dynamic and moving elements and thus creates a significantly perceptible aura of personally nuanced poetry.
Linzkunst - Kunstlinz: E-Musik im Schiffszelt (Balduin Sulzer)
2001
on: the question about the nature of the speed
[...] This is an exciting impact. Her wild and strange composition is called 'Visions of Velocity' and 'My Inner Mocean'.
OÖ Nachrichten (Reinhold Gruber)
1995
on: the podium competition: George Crumb's "Vox Ballaenae"
The competition 'Das Podium' launched by director Kneihs was carried out this year for the 5th time. The clear winners in the category ensembles were Detlef Proges (flute), Roland Schueler (violoncello) and Tanja Brüggemann (piano) with an excellent performance of George Crumb's "Vox Ballaenae".
OÖ Nachrichten (Gerhard Ritschel)