Pepl Harry

Compositions

# Titlesort icon Year of Origin Duration Instrumentation Category
1 3 Days before 1990 9m 15s
2 Air, Love and Vitamines 1983 ~ 7m 17s
3 Alone is a golden stone 1990 2m 55s
4 Ankara 1994 7m 25s
5 Anspannen, Überspannen, Abspannen 1992 30m
6 Argentinischer Schuhplattler 1989
7 Aug aufs Faust 1991 3m 15s
8 Avo 1990 6m
9 Ballade für Mr. Dinozzo 1989 10m
10 Ballantine for Valentine 1988 4m 46s
11 Bars, Heartbeats and Frames 1993 20m
12 Begnadete Klavierimprovisation an der Stromgitarre 1989 14m 30s
13 Bike Breaker - (RadlBremser) 1984 5m 5s
14 Brauereibraue Augenbraune 1991 14m
15 Camomille Tea 1988 10m 35s
16 Cello Piano 1991 15m
17 Die alte Mär und das Mann 1987 6m 50s
18 Die kleine Mutti - (Little Mom) 1986 6m 50s
19 Die letzte Bastion 1990 7m
20 Dr. Kramer P 29 1991 7m 10s
21 Eastern Island Ears 1990 3m 48s
22 Einsicht ins mich 1990 6m 21s
23 Exzentrik Egometrik - für Klavier, Zuspielungen und Ballett 1996 27m
24 Fleecircus 1988 8m
25 FM-Syndrom 1990 8m 20s
26 Grogos 1989 8m 5s
27 Heavy Metal pedal 1991 5m
28 Herbstzeitlose Arbeitslose 1990 3m
29 Intro P 34 1991 2m 31s
30 Itegil 1989 3m 16s
31 Knessl Ressl Jump 1989 7m 26s
32 Kraftwerk 1989 2m
33 Krenek 1989 4m 14s
34 Magnet Resonance 1990 4m 7s
35 Maletten 1989 3m 52s
36 Misterious Ministry 1989 14m 30s
37 More far out than East 1987 3m 14s
38 Moving Navel 1991 4m
39 Obsession 1991 5m
40 Piano Nr. 36 1991 1m 48s
41 Piano Nr. 38 1991 4m 45s
42 Piano Nr. 7 1989 4m 10s
43 Pizzicat 1990 4m
44 Reflections in a Cracked Mirror 1987 4m 38s
45 Scale Fox 1994 7m 47s
46 Schikaneder Delight 1990
47 Schönberg Improvations 1990 9m 48s
48 Snow 1990 4m 50s
49 Song for Gil 1994 8m 15s
50 Strange Uhudler 1995 5m 5s
51 String 1 1990 5m
52 String Nr. 8 1991 9m
53 The last bars of mankind 1990 4m 5s
54 Tintenfisch Inki 1990 9m
55 Trance 1988 10m 53s
56 Trio 1990 9m
57 Tschernobyl 1989 3m 14s
58 Über Kurz oder Lang, von der Weite und der Enge 1993 25m
59 Vibes I, II 1990 8m
60 Viola & Cello 1988 12m
61 Voice 1990 6m
62 Wide One 1990 6m 1s
63 Winds 1990 5m
64 Zwei Klarinetten (Brown Butterfly) 1990 6m

General Information

Date of Birth:  10. September 1945
Place of Birth:  Vienna
Country of Birth: 
Date of Death:  5. December 2005
Place of Death:  Wiener Neustadt
Nationality: 

 

Guitarist Harry Pepl is one of those musicians that has influenced the Austrian jazz nationally and internationally. As a musical frontier he juggles safely and highly flexible with the different styles of jazz and contemporary music. In his uncompromising focus and phrasing in waves over a fixed pulse, he influenced a jazz-idiom that can be described as European. His music captivates with vitality, density, musical wholeness and radical emotion.

 

His desire to push the boundaries of his own instrument, led him to the occupation with technical innovations, based on the MIDI guitar.
His works originated from that occupation, based on the technique of "instant composing." Pepl plays the individual voices with the guitar into the computer and can correct the distribution of voices before the final score, but cannot correct the composition itself. The timing of the composition is reduced to a minimum, shape and sound originate from the moment. The interplay of individual voices can be heard after being transposed to the piano. Harry Pepl is regarded as a major exponent of the "real-time composing": The musician himself: "[...] essential for the success of the synthesis of time and superior time is only a fulfilled moment [...]"

Education

PeriodEducationInstrumentTeacherEducation OrganisationLocation

classic guitar

further lessons with Jim Hall and Wes Montgomery

autodidact music studies

Activities

PeriodActivityOrganisationLocation
1975 - 1985

Pirchner-Pepl-JazzZwio: member

1977 - 1995

teacher for guitar/jazz

1984

received the title of "professor"

1984 - 1986

performances with Mike Richmond at numerous festivals

1984 - 1995

lecturer for guitar and jazz

member

Enrico Rava/Dino Saluzzi Quintet: member

cooperation as a guitarist with numerous jazz groups and soloists

collaborations with major international musicians, including Benny Goodman Quint., Dave Holland, Dino Saluzzi, Daniel Humair, Jon Christensen, Michel Portal, Werner Pirchner, Wolfgang Puschnig, Jack DeJohnette, Dave Liebman, Mino Cinelu etc.

Performances (Selection)

PeriodPerformanceCompositionOrganisationLocation

Knitting Factory New York

Théatre de Ville

performances at festivals in Donaueschingen, Edinburgh, Warsaw, Moers, Cologne, Frankfurt, Berlin, Paris, Montreux, Geneva, Pori, Raab, Saalfelden, Ankara

Commissions (Selection)

PeriodCommissionCompositionCommissioner (Organisation)Commissioner (Person)

Thomas Larcher

Thomas Demenga

Awards

PeriodAwardCompositionAwarding Organisation
1983
1988

 

1991

cultural award for music

1998

recognition award for music

numerous french record awards

Description of Style

Genre boundaries and the purity of style have no effect on me at all. Nevertheless, the core of my aesthetic is not postmodern. Art is not a game for me, but rather the last place of transcendency: You can not display the not displayable. In the moment I inspirationally compose or play music - which is the same for me - I believe in absolutenesss: in the truth, in which all opposites coincide.
In my compositional method, the real-time or instant composing, the demand for the absolute sovereignty of the artist seems to be fulfilled and radicalized. The principle of real-time composing is that the composer records, without being led by reflexive methods (instrumental), what is happening in the moment of the creative process in his musical mind - what is "playing". My concern is to make a synthesis between the special, the subjective freedom - the presence of time - and the general, the objective law of the successful artwork - the superior time. Essential of the success of the synthesis of time and superior time is only the filled moment: One moment is all the more fulfilling - and therefore all the more irrecoverable - the more he creates something that can exist in the long run.

 

Harry Pepl, 1996

Discography, Projects

Discography:

als Bandleader:

  • 1994: Harry Pepl Quartett - N.Y.C. Impressure (Extraplatte)
  • 1990: Harry Pepl - Austrian Jazzart, Schönberg Improvations (Universal Music, Solo-Album)
  • 1988: Harry Pepl - Austrian Jazzart, Airmail-light blues (Universal Music, Solo-Album)

 

 

als Sideman:

  • 2009: Pirchner-Pepl-JazzZwio - Live in Concert Montreux 1981, Innsbruck 1984 (Universal Music)
  • 1999: Musik aus Österreich Vol. 3 - Jazz & Volksmusik, Track 11 (mica, unpublished)
  • 1994: Abstract Truth - Beginnings (AMADEO)
  • 1988: mit Herbert Joos und Jon Christensen - Cracked Mirrors (ECM)
  • 1983: Werner Pirchner/Harry Pepl/Jack DeJohnette (ECM)
  • 1982: Adelhard Roidinger/Heinz Sauer/Werner Pirchner/Harry Pepl und Michael Di Pasqua - Schattseite (ECM)
  • 1981: Pirchner-Pepl-JazzZwio - Live, Montreux '81 (Wea Music)
  • 1980: Pirchner-Pepl-JazzZwio - Gegenwind (Mood Records)
  • 1980: Benny Goodman - Berlin 1980 (TCB)

Teacher of (Person)