Daniel Schmidt
Registered as: InterpretIn, KomponistIn, ArrangeurIn, AusbildnerIn, ChorleiterIn
Genre: Neue Musik
Instrument: organ
Schmidt Daniel
- Compositions
- General Information
- Education
- Activities
- Performances (Selection)
- Awards
- Description of Style
Compositions
# Title Year of Origin 
Duration Instrumentation Category 1 Ecce dominus venit - für dreistimmigen gemischten Chor und Klarinettenensemble 1996 4m 50s Chamber Music 2 Vier Miniaturen - für Cembalo, Celesta und Harfe 1995 12m Chamber Music 3 Streichtrio 1994 13m Chamber Music 4 Drei Gesänge aus dem Hohelied - für Sopran, B-Klarinette und Gitarre 1993 12m Chamber Music 5 Morphogonia - für Kammerensemble 1993 17m 6 Psalm 134 - für sechsstimmigen gemischten Chor a cappella 1992 5m Vocal Music 7 Studie für Orgel 1992 7m 30s 8 Streichquartett 1991 13m Chamber Music
General Information
Year of Birth:
1969
Date of Birth:
25. April 1969
Country of Birth:
Germany
Nationality:
Germany
Education
| Period | Education | Instrument | Teacher | Education Organisation | Location |
|---|---|---|---|---|---|
|
1989
|
Works on the topic "Inner Logicality of Language" | ||||
|
1989
|
particular interest in linguistical metaphysics and structural analogies between linguistic and musical forms | ||||
|
1989
|
conducting | ||||
|
1989
|
analysis of musical forms | ||||
|
1989
|
analysis of musical forms | ||||
|
1989
|
harmonics | ||||
|
1989
|
instrumentation (Ertugrul Sevsay) | ||||
|
1989
|
composition | ||||
|
1989
|
composition | ||||
|
1989
|
counterpoint | ||||
|
1989
|
philosophy |
Activities
| Period | Activity | Organisation | Location |
|---|---|---|---|
|
1994
|
conducting | ||
|
instrumentation and arrangement on a freelance basis | |||
|
organist at several churches | |||
|
private teacher |
Performances (Selection)
| Period | Performance | Composition | Organisation | Location |
|---|---|---|---|---|
Awards
| Period | Award | Composition | Awarding Organisation |
|---|---|---|---|
|
1994
|
scholarship | ||
|
1995
|
promotional award |
Description of Style
Free application of dodecaphonic schemes; separate development in emerging structures ( "designing sound"), sometimes crystallization of tonal dynamic centers. Approaches in working with soundscapes.
Daniel Schmidt, 1994