Flora St. Loup
Instrument: piano, vocals

Photographer: Robert La Roche ©

St. Loup Flora


# Title Year of Originsort icon Duration Instrumentation Category
1 22 Chansons 2009
3 "Der Einsiedler und die Puppenmacherin" - Music for Film 2005
4 Djacundo, le magicien de l´eau - Musical fairy tale 2005
6 "WUNSCH KINDER" - Music for the 6-part TV movie 2001
7 "IM NETZ DER MORDKOMMISSION" - Music for the 6-part TV film 2000
9 "DIE SCHULE DER ATHEISTEN" - Music for the theater play 1999
10 "DAS GASTMAHL" - Music for the theater play 1999
11 Chorus delicti II - Baby Blue oder Hörst du Töne! 1996 1h
12 11 Chansons 1995
13 23 Chansons 1994
14 Was ihr wollt - Musik zum gleichnamigen Theaterstück von William Shakespeare 1993
15 Chorus delicti IV - Hommage à Beckett et Joyce 1993 1h
16 Die Jahre des Schreckens - oder "Sag, Mama, warum hat die Taube grüne Augen?" Kindermusical 1993 1h 15m
17 Die Flucht - music for the eponymous cine film by David Rühm 1992 19m 10s
18 Bagatelles - Neunzehn Stücke für Klavier 1990 30m
19 Dôm 1990 4m
20 Wiener Blut - (Johann Strauß), Variations in Moll 1990 ~ 4m
21 Nie im Leben - music for the eponymous cine film by Helmut Berger (Austria) 1990
22 Vivre, Miléna Jesenska - Ausstellung 1990 20m
23 Ich Moll - Du Dur - Eigene Show 1989
24 Liebe und Magie in Mamas Küche - Musik zu einem Theaterstück von Lina Wertmüller 1989
25 Chorus delicti I 1988 16m
26 Penaroma - Eine Bild-Oper in sechs Akten 1988 ~ 1h
27 Der gläserne Himmel - music for the cine film by Nina Grosse (Germany) 1987
28 Glaces 1986 7m
29 Trois Tiroirs 1986 5m
30 Auf der Suche nach meinem A 1986 4m
31 IMAWASIWÜ 1986 1m 30s
33 NÜ - NOU - NOUAGE 1986 6m
34 Durch dick und dünn - music for the eponymous television film by Margarete Heinrich (ORF) 1986
35 Sigmund B - Theatermusik 1986
36 Valse à 1985
37 Vers quelle ville irais-je? 1985
38 Jungle Blues - Musik zu einem Theaterstück über Billie Holiday 1985
39 Cendres 1984 5m
40 Ballade de l'escalier 1984 3m
41 In memoriam Fr. Truffaut 1984 3m
42 Ballon Ballon 1984 3m
43 Schnee Blues 1984
44 Malambo - music for the eponymous cine film by Milan Dor (Austria) 1984
45 Absence 1983 3m
46 La Valse Suzette 1983 3m
47 Valse informal - Theatermusik 1983
48 Spital - Collage für Stimme, Klavier und Elektronik 1982 6m
49 Diagonal Telefon - Elektronisch-akustische Montage 1982 4m
50 A tous petits pas 1982 2m 20s
51 Structures No. 1-3 1982 3m
52 Españole à Pékin 1981 4m 45s
53 La petite musique 1981 3m
54 Atakatikitai 1981 4m 30s
55 La complainte 1981 3m 40s
56 Theoma (le clown) 1981 3m
57 Micheline 1981 4m 40s
58 Espaniña No. 1 1981 5m 10s
59 Grave 1981 3m 50s
60 Le Tango de la victoire 1981 2m 50s
61 Christal 1981 5m
62 Eclypse 1981 6m
63 Obsedanse 1981 5m
64 Espaniña No. 2 1981 3m
65 Bosse la Bossa 1981 3m
66 Le moustique acoustique 1981 3m
67 Les poulains à roulette 1981 3m
68 Obsession 1981 2m 50s
69 Empoissonnement 1981 4m
70 Lever de rideau 1981 3m
71 Bar oc 1981 6m
72 Zauber Zauber - Musik zu einem Theaterstück von André Heller

General Information

Place of Birth:  Lyon
Country of Birth: 

Flora St. Loup embodies the rare symbiosis of composer, singer, performer/entertainer, songwriter and pianist. In addition to her film and stage experience, Flora St. Loup has a soft spot for the French chanson (with own compositions and lyrics), film, musicals, contemporary drama and literature.


PeriodEducationInstrumentTeacherEducation OrganisationLocation

lessons since the age of 5

early lessons

classical studies; participation in the summer-academy

music studies

1979 - 1985




freelance composer, pianist, singer and writer

seminars for vocal training (choir, stage)

numerous concerts and performances in Vienna and numerous concert tours in Germany, Austria, France, Switzerland, Finland (with Franz Koglmann), etc.

Performances (Selection)


solo evenings with self-composed chansons

performances in Prague, Budapest, Zurich, Rotterdam, etc.

Commissions (Selection)

PeriodCommissionCompositionCommissioner (Organisation)Commissioner (Person)

score for "Der Besuch", commissoned by David Rühm


score for "Malambo"


score for "Der gläserne Himmel"


score for "Nie im Leben"


score for "Die Flucht", commissioned by David Rühm


score for "In Heaven"

commissions for film music by Milan Dor, Michael Heuer etc.

Description of Style

I see myself as a true crossover composer: my scope of work includes tonal and atonal compositions (e.g. film scores, performances), catchy compositions (for special occasions such as children's musicals and musical happenings), as well as my declared preference for chansons (with my own lyrics and music).
The most important factor for my work: sensuality, emotionality.


Flora St. Loup, 2010



Press Reviews


[...] a rare and glorious combination of piano, singing and a story narration [...]

European Professional Women's Network (Samira Ghanadyan)


26. February 2009

FLORA St.LOUP - a tender she-wolf: [...] in particular her refusal to be committed to any particular style makes Flora St.Loup´s artistic work so exciting [...] St.Loup's multiple talents possibly style her as a synthesis of the arts: as a performer, writer, composer, pianist, comedian [...] she elopes the audience and listeners into the vastness of a musical landscape where one may stroll between miracle trees [...] the roaming she-wolf caresses our souls with her songs creating a new, very feminine  signature. Particularly in her lyrics she has reached new heights [...]

Wiener Zeitung (Andreas Kövary)


20. September 1989

[...] because that is one thing she can do: entertain through musical comedy [...]

Kurier (Andrea Amort)


13. December 1988

[...] one of the rare evenings, where the frequent concert visitors were confronted with something they had really never heard before [...]

Die Presse


5. June 1987

The absurd "Valse informal" emerged as an infernal, absurd valse, determined and held together by the brilliant stage performance, acrobatic vocal skills and mimic relishing mutability of pianist Flora St-Loup: comparable to a musical female wolf she controls the scenery, building in the turning point and alibi for a story in which the two dancer-like combatants fade and become extras next to her.

Der Bund


17. June 1984

[...] a fancy bird who insistently proves that modern music does not have to be humourless [...]

Neue Kronen Zeitung

[...] bundle of energy [...]


[...] captivates her audience with acrobatics and exciting sensual atmosphere [...]

Dinersclub Magazin

[...] breathtaking [...] Flora St. Loup'ssolos were marked by self-irony, humor, and a lot of charm [...]


[...] extremely spectacular[...] a strong stage presence [...]


[...] the full-blooded musician [...]


[...] humor of a poetic lightness [...] that only the French master so well, blossoms in Flora's compositions, some of which go entirely into the ear and into the heart [...]

Der Standard

[...] first-rate comedienne [...]


[...] She is sovereign in her singing  [...]


[...] behind the sheepskin of a lean graceful appearance is a "wolf's voice", a volume, which one would not expect [...]

Oberösterreichisches Tagblatt

[...] her imagination and mischievous humor [...] phenomenal vocal acrobatics [...]

Neue Kronen Zeitung

[...] the spectacular and expressive performances of the singer were remarkable [...] all eyes were on her [...]

Neue Zürcher Zeitung

[...] sings hauntingly beautiful [...]

Die Furche

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Language:  French, German, English