Franz Baur
Registered as:
Instrument: piano

Baur Franz


# Title Duration Instrumentation Category
1 Die Bauern
2 Kleines Konzert
3 Die schöne Stadt
4 Dansons la gigue
5 J´ai peur d´un baiser
6 "Der Herr ist mein Hirte" - Psalm 23
7 Ruft nicht die Weisheit?
8 Hodos
9 "Eli! Eli! Lamâ azâvtani?!" ~ 30m
10 Kritik des Herzens - nach Gedichten von Wilhelm Busch
11 "Selig der Mensch" - Psalm 1
12 "Warum toben die Heiden" - Psalm 2
13 "Zu dir rufe ich, Herr" - Psalm 28
14 Nun jauchzet dem Herrn
15 Missa brevis
16 "Singet dem Herrn ein neues Lied" - Psalm 149
17 Wilhelm Busch-Lieder
18 "Lobet Gott in seinem Heiligtum" - Psalm 150
19 Blechbläser-Sextett
20 Stück für Tuba und Streichsextett
21 Quintett für Tuba und Streicher
22 "Alphorn-Duette"
23 Sonate für Posaune und Orgel
24 Sonate für Violine und Klavier
25 Wahnsang
26 Chromata ~15m
27 Aphorismen für Orgel
28 Große Toccate und Fuge
29 Apokalypsis
30 Quartetto infernale
31 Trasfigurato
32 Suche nach der verlorenen Harmonie
33 Trauermusik
34 3 Stücke für Streichorchester
35 Sinfonia
36 Symphonie
37 Ouverture
38 Genesis
39 Das Dschungelbuch - opera for children and orchestra
40 "Wohin?" - ballet for orchestra
41 Konzert für Zither und Streicher ~20m
42 Adagio für Streichorchester ~7m
43 Sphaïra ~18m
44 Lyrisches Konzert ~37m
45 Konzert für Orgel und Streichorchester
46 Fantasie
47 Poéme

General Information

Year of Birth:  1958
Date of Birth:  25. January 1958
Place of Birth:  Hall in Tirol
Region of Birth: 
Country of Birth: 


PeriodEducationInstrumentTeacherEducation OrganisationLocation

piano, theory, composition


diploma (composition)

philosophy, musicology




organist in a community of the Lower Inn Valley

teacher for composition and music theory

University Mozarteum Department XI: instructor in music-theoretical subjects


PeriodAwardCompositionAwarding Organisation

Tyrolean Award for Art

numerous other awards

Description of Style

Maybe it's a stoic undertaking that the composer has taken on ​​ by striving to achieve a balanced unity of reason and feeling in his music. It is for him but a goal from which he will not turn away. For a music which emphasizes the rational, calculating construction of tones, misses as much as music which mainly resonates waves of emotion. Therefore, the composer in his recent works attempted to reach the center of reason and emotion. Linked to this is the renouncement of any showmanship, the greatest possible abstinence of complexity to be able to what lies behind the music with deliberately chosen simplicity in a cöear and truefulm way. For him there is in principle no commandments and prohibitions, although he imposes upon himself certain laws, but those can be broken at any time when he feels like it or it does make reason to him. All compositional techniques (counterpoint, different harmonic sound structures, poly-tonality, poly-rhythms, aleatoric music, etc.) can be used in a free-tonal way, at the same time making it very important that the compositional differences merge into unity. Moreover,  hsi music does not represent any violent search for novelties nor does it stand for any forced high elevation to a (alleged) art music. But it is certainly a music the composer uses to express something which is beyond of the abovementioned idea, he uses to communicate with others. To him, music is a language, that is why in spite of all individuality he would not want to select a way of expression, other people might not be able to understand (figuratively spoken).


Franz Baur, 1994

Teacher of (Person)

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