Courtesy of C. Reimeir
| # | Title |
Year of Origin |
Duration | Instrumentation | Category |
|---|---|---|---|---|---|
| 1 | Peri-Tales | 2012 | 12m | ||
| 2 | aura | 2011 | 7m30s | ||
| 3 | phen-ix - for piano trio | 2011 | 12m | ||
| 4 | FreeQuenz - string quartet no.2 | 2009 | 17m | ||
| 5 | Aechos | 2008 | 6m | ||
| 6 | "Replik" für Orchester | 2006 | 9m | ||
| 7 | "Liebesend" | 2006 | 3m | Chamber Music | |
| 8 | "An-Sie" | 2006 | 5m | Wind Music | |
| 9 | "Lieben können dürfen" | 2005 | 3m 40s | ||
| 10 | "ix-thesis" | 2005 | 10m | Chamber Music | |
| 11 | Deprovisation I, II, III | 2005 | 4m 30s | Chamber Music | |
| 12 | Prélude Nr. 2 | 2004 | 3m | ||
| 13 | "Gedanken" in e-Moll | 2004 | 2m | ||
| 14 | "Für Beate" | 2004 | 2m 40s | ||
| 15 | "Eva" | 2004 | 2m | ||
| 16 | "CreaRtive Sentiment" | 2003 | 14m | ||
| 17 | "A-Ruh" | 2002 | 6m | ||
| 18 | Avan't Art | 2001 | 16m | Chamber Music | |
| 19 | "Agmento" | 1999 | 3m | ||
| 20 | "Ektik" | 1999 | 2m | ||
| 21 | Sinfonie Nr. 1 | 1998 | ~ 30m | Symphonic Music | |
| 22 | Prélude Nr. 1 | 1997 | 3m 30s | ||
| 23 | Etüde Nr. 1 | 1997 | 3m |
After graduating at the HTL for Telecommunications in Innsbruck (1994), Christian Reimeir first studied mathematics and physics. His approach to music was not until the age of 17, when he started to play the piano. Following an inner urge, he started to intensively teach himself (1992) piano and music theory and to compose his first piano pieces. He then continued to study composition at the Conservatory in Innsbruck with Prof. Martin Lichtfuss (1999 - 2006, Diploma 2006). He is a founding member of "AKRÓASIS", the forum for music and media in an intercultural context (Vienna, 2009) and winner of the Composition Prize of the city of Innsbruck (2010). His music can be heard in the movie "Life Off Limits" (Austria / Germany, 2011). He has received commissions of various ensembles and his works have been featured at the congress of the International Viola d'amore Society of America 2012 ('Peri-Tales', commissioned for viola d'amore and chamber orchestra) and the Klangspuren Schwaz ('phen-ix', interpreted by the Spanish Piano Trio 'Arbós'). A wide variety of his compositions, including an interview, aired on the Austrian ORF Radio Ö1. Christian Reimeir currently lives and works as a freelance composer in Vienna and Innsbruck.
Christian Reimeir ©, 2012
| Period | Education | Instrument | Teacher | Education Organisation | Location |
|---|---|---|---|---|---|
|
1989 - 1994
|
HTL Telecommunications | ||||
|
1995 - 1999
|
studies of mathematics and physics | ||||
|
1995 - 1999
|
lessons with Emi Sugihara (Japan) | ||||
|
1999 - 2004
|
lessons with Velislava Palatschorova (Bulgaria) | ||||
|
1999 - 2006
|
compositional studies (diploma in 2006) | ||||
|
2004 - 2006
|
lessons with Muriel Chemin (France) | ||||
|
2005 - 2008
|
computer science |
| Period | Activity | Organisation | Location |
|---|---|---|---|
|
lives and works as a freelance composer in Vienna and Innsbruck | |||
|
2003
|
ever since co-worker at the central information service department ZID, software trainer, tech support |
| Period | Performance | Composition | Organisation | Location |
|---|---|---|---|---|
|
2003
| ||||
|
2006
| ||||
|
2008
| ||||
|
2009
|
radio broadcast including an interview | |||
|
2011
|
world premiere | |||
|
2011
|
world premiere | |||
|
2012
|
world premiere at the 16th Viola d'amore Congress of the International Viola d'amore Society of America |
| Period | Commission | Composition | Commissioner (Organisation) | Commissioner (Person) |
|---|---|---|---|---|
|
2005
|
commission for a CD production of Tyrolean composers | |||
|
2008
| ||||
|
2011
| ||||
|
2011
| ||||
|
2012
|
commission of the International Viola d'amore Society of America |
| Period | Award | Composition | Awarding Organisation |
|---|---|---|---|
|
2010
|
composition award |
I began composing spontaneously (without previous knowledge of music) at the age of 17 with the piano. In the beginning I was impressed by the motivic-thematic music by Beethoven. The starting point of my musical imaginativeness lies in the late romantic, impressionist sound world of Scriabin. I feel drawn by his manic expressive fanaticism. Since I began my musical education late at the Conservatory, and through my self-educated access to music and especially to composition, I could afford an impartiality towards established teachers and styles which is with me until today. Tonal, atonal or "contemporary" (in all its forms) flow into each other. Being involved with different tendencies and combinations of many sound worlds is enriching and this is part of my musical language. Through mathematical algorithms which I incorporate into my work, I connect the partly oppressive rigour of these formulations with emotion and intuition. My urge to express great feelings through music is restrained by a strict mathematical concept. This is how I hope to be able to reveal my view of the world and create something new.
Christian Reimeir, 2007 ©