Renald Deppe was born in Bochum in 1955. He studied clarinet and composition at the Folkwang University in Essen and received his further musical education in Berlin and at the University of Music and the Performing Arts, Vienna. He has played the saxophone and clarinet in ensembles for classical, contemporary and improvised music. Deppe was the founder and the artistic director of several festivals and cultural initiatives. Parallel to his work as promoter, curator and concept designer of music projects aside from a mainstream catering to listening habits, Deppe made himself a name as a composer of several commissions. His work focuses on chamber music, music theatre, graphic-sheet music, interdisciplinary project design, installations and sound graphics. With his ensemble "Capella con Durezza", founded in 1992 and bringing together artists from all kinds of domains due to its varying instrumentation, Deppe systematically develops theme-oriented programmes (Kurt Weill, Charles Mingus, Bert Brecht, Duke Ellington, Second Viennese School, anthem, German Schlager, Hugo Wolf etc.), in which multimedia techniques (film, literature, performance) are employed in addition to jazz embellishments, as well as principles of contemporary music and its improvisation techniques. Renald Deppe defines this laughingly as "Arts festival configuration music - the structure and interactive relationship of individual experiences in one common context." About his second band project, the "Wachauer Pestbläser", of which musicians Gerd Jonke, Christoph Chech and others have been part of so far, Deppe says on his website ", The Wachauer Pestbläser understand themselves as a charitable association out of necessity with limited grip, founded for the inexpensive disport of the mind." As a musician Deppe performed at several international festivals (Saalfelden, Berlin, Moscow, Krakow, Budapest, Rome, St. Petersburg etc.), his graphic sheet music has been displayed repeatedly in galleries.
| Zeitraum | Ausbildung | Instrument | AusbildnerIn | Organisation | Ort |
|---|---|---|---|---|---|
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Folkwang University, Essen/FRG: clarinet | |||||
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Folkwang University, Essen/FRG: piano | |||||
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Folkwang University, Essen/FRG: composition | |||||
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Musisches Gymnasium | |||||
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further studies |
| Zeitraum | Tätigkeit | Organisation | Ort |
|---|---|---|---|
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1988 - 1997
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founder and artistic director of the monthly performed Arts festival | ||
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1991 - 1998
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Österreichische Beamtenversicherung, Vienna: founder and artistic director of the Grabenfesttage (in cooperation with Dr. Johann Hauf) | ||
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1994 - 1998
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founder and manager of the Jazz club together with Christoph Huber and Mathias Ruegg | ||
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1997 - 1998
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musical director | ||
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2001 - 2003
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founder and artistic director of the festival in cooperation with Dr. Peter Leisch | ||
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2005
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festival 21, Vienna: artist in residence | ||
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2006
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artist in residence | ||
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kursiv: co-publisher of the Upper Austrian art magazine | |||
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founder and artistic director | |||
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founder and artistic director of the ensemble | |||
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teacher | |||
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teacher |
| Zeitraum | Aufführung | Werk | Organisation | Ort |
|---|---|---|---|---|
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Landestheater Salzburg | ||||
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Easter Festival Krakow | ||||
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Burgtheater | ||||
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Schauspielhaus Salzburg | ||||
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among others |
| Zeitraum | Auftrag | Werk | Auftraggebende Organisation | Auftraggebende Person |
|---|---|---|---|---|
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Philharmonie Luxembourg |
| Time Period | Auszeichnung | Werk | Auszeichnende Organisation |
|---|---|---|---|
|
2006
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Ernst Krenek Award |
No one else walks so effortlessly through the ferro-concrete walls of the Viennese music scene. No one else is followed onto the stage by such antithetical artists. And that, in most cases, for little money. Vienna would not be imaginable without Renald Deppe as a catalyst, organiser and notorious self-exploiter, and neither as a creative artist.
ORF (Robert Bilek)
The result of several weeks' work is captivating: the new composition sounds very professional , the change between jazzy sounds and atonality and then the change into folklore seems effortless. An exciting festival start.
Die Presse
Even as a composer, Renald Deppe sometimes moves aside from tradition. Five staves have not been sufficient enough from him for quite some time. Skilfully, he puts his musical ideas into graphics. These graphic notations, which rather correspond to a description of emotions and conditions, are pieces of art in their own right. Ronald Deppe creates his compositions using Indian ink and water colour techniques and then they sound as delicate as his pictures appear [...] the compositions are of most filigree quality for everybody. You do not have to be a musician to wander through these musical landscapes.
Concerto (Alfred Krondraf)
Renald Deppe managed to sound like Renald Deppe: quite wild and loud, highly charged and virtuosic, insinuating and, sometimes, even funny. When he goes about working on existing pieces, be it American standards or Russian farcical operas, he works on it very seriously, adjusting clichés, moves familiar perspectives - and leaves enough musicality for the less experienced listeners to be astonished. When he plays freely, he likes taking off the mouth piece of his instrument and then he really gets going...
Falter (Carsten Fastner)