Doblinger Archives ©
Courtesy of Doblinger Musikverlag
At the age of six, Ernst Krenek - born in 1900 in Vienna - already enjoyed his first music lessons and tried to compose his first pieces. At the age of 16, he began to study at the University of Music, but his studies were interrupted in 1918 when he was enlisted in the army. After a two-term interlude at the University of Vienna, where he studied philosophy, he followed his former teacher Franz Schreker to Berlin to finish his studies in composition. Krenek's first compositions of free atonality fall into this period. Between 1923 and 1925 he went on several journeys during which he got to know other renowned contemporaries such as Friedrich Gruber, Rainer Maria Rilke and Theodor W. Adorno. After working as an assistant for Paul Bekker in Germany and the international recognition of his opera "Johnny spielt auf", he returned to Vienna in 1928, where he married his second wife. He quickly got introduced into the Viennese circles of artists (Karl Kraus, Alban Berg, Willi Reich etc.) and, in addition to his compositions, became literarily active, e.g. for the music magazine "Dreiundzwanzig", which he co-founded. In 1933, he was assigned his first big commission (Vienna State Opera "Karl V.") and, at the same time, was black-listed by the Nazis in Germany. In 1934 the world premiere of his opera "Karl V." was cancelled for political reasons. In the following years, until 1938, Krenek undertook several journeys and worked for newspapers, as well as a freelance artist. After Austria's annexation by Hitler's Germany, Krenek immigrated to the USA, where he continued his concert and lecturing activities. In 1945 he became a US citizen, and from 1950 onwards he frequently travelled back to Europe. By the mid-1950s, the first festivals focusing on Krenek's music took place. After the Krenek Festival in Madison in 1954, several similar events followed. The first festival of this kind in Austria took place in 1974: the Steirische Herbst put a focus on Krenek's works. In 1978 the Ernst-Krenek-Archive was founded in San Diego, an event followed in 1980 with the foundation of the Ernst-Krenek-Archive in the Viennese Stadt- und Landesbibliothek in Austria. In 1984, his opera "Karl V." premiered at the Vienna State Opera. Since 1986 the City of Vienna rewards composers with an award named after Ernst Krenek. In 1991 Krenek died in Palm Springs. One year later, his body was transferred to a memorial grave at the Zentralfriedhof (central cemetery) in Vienna.
| Zeitraum | Ausbildung | Instrument | AusbildnerIn | Organisation | Ort |
|---|---|---|---|---|---|
|
1916 - 1917
|
composition | ||||
|
1919
|
University of Vienna, Vienna: 2 terms philosophy | ||||
|
1920 - 1923
|
State Academy for Music, Berlin: composition |
| Zeitraum | Tätigkeit | Organisation | Ort |
|---|---|---|---|
|
1925 - 1927
|
Kassel State Opera, Kassel: assistant to Paul Bekker | ||
|
1927
|
State Opera Wiesbaden, Wiesbaden: assistant to Paul Bekker | ||
|
1932
|
Music magazine "Dreiundzwanzig", Vienna: co-founding the magazine together with Alban Berg, Rudolph Ploderer and Willi Reich | ||
|
1932 - 1933
|
collaboration | ||
|
1939 - 1942
|
Universities of Michigan and Wisconsin: guest lectures | ||
|
1939 - 1942
|
Vassar College, Poughkeepsie/N.Y: professorship for music | ||
|
1942 - 1947
|
School of Fine Arts an der Hamline University, St. Paul/Minnesota: professorship and deanship | ||
|
1947 - 1949
|
guest lectures at several universities in the USA | ||
|
1950
|
International Summer School for Contemporary Music Darmstadt: lecturer | ||
|
1950
|
beginning of concert and lecture tours through Europe | ||
|
1957
|
Princeton University Princeton/New Jersey: guest professorship | ||
|
1967
|
Peabody Institute, Baltimore/Maryland: guest professorship |
| Zeitraum | Aufführung | Werk | Organisation | Ort |
|---|---|---|---|---|
|
1985
|
Ossiacher Stiftskirche; 85th birthday of Ernst Krenek | |||
|
1989
| ||||
|
1989
|
University of Music Lübeck | |||
|
1996
|
Radio Symphony Orchestra Basel, Alte Börse Zürich | |||
|
1996
| ||||
|
1997
|
The Japan Shinsei Symphony Orchestra | |||
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1997
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Guildhall School of Music, London | |||
|
1997
|
Lüneburger Kammerensemble, Martinskirche Brelingen/Germany | |||
|
1998
|
Bamberg Symphonic Orchestra Munich | |||
|
1998
| ||||
|
1998
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Osnabruck Symphony Orchestra, Großes Haus der Städtischen Bühnen | |||
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1998
| ||||
|
1998
|
Beethoven Academie: De Singel Theater | |||
|
1999
| ||||
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1999
|
Brandenburg State Orchestra Frankfurt, Frankfurt an der Oder | |||
|
1999
|
Philharmonic Orchestra Cologne | |||
|
1999
| ||||
|
1999
| ||||
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2000
| ||||
|
2000
| ||||
|
2000
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Conductor: Peter Keuschnig | |||
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2000
|
Konzerthaus Berlin | |||
|
2000
| ||||
|
2000
|
New York/USA | |||
|
2000
|
Folkwang-Museum, Essen/G | |||
|
2000
| ||||
|
2001
|
Staatsoper Unter den Linden Berlin | |||
|
2001
|
Kleines Haus, Wiesbaden | |||
|
2001
|
Philharmonie Berlin - Kammermusiksaal | |||
|
2001
|
San Francisco Symphony Orchestra | |||
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2002
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Kassel State Orchestra, Kassel State Opera | |||
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2002
|
Petersen Quartett, Konserthus, Stockholm | |||
|
2002
|
Philharmonic Orchestra Cologne, Cologne State Opera; Arranged by Rainer Schottstädt (2002) | |||
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2002
| ||||
|
2003
|
Petersen Quartett, Konzerthaus Berlin | |||
|
2003
| ||||
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2003
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Camerata Nomade, Maison des Cultures du Monde Paris | |||
|
2003
|
Austrian Cultural Forum New York | |||
|
2003
|
Theater Erfurt | |||
|
2004
|
Student Ensemble of the Western Washington University | |||
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2004
|
German Chamber Philharmonics Bremen, Die Glocke/Bremen | |||
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2004
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Burgdorfer Kammerorchester | |||
|
2004
|
Hamburg University for Music and Theatre | |||
|
2005
|
Philharmonic Orchestra Cologne, Cologne State Opera | |||
|
2005
|
Cambridge University Chamber Orchestra, West Road Concert Hall Cambridge | |||
|
2005
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Nederlands Philharmonisch Orkest, Concertgebouw Amsterdam | |||
|
2006
|
Orquesta Estable del Teatro Colón, Teatro Colón/Buenos Aires | |||
|
2007
|
Orchestra Toscanini | |||
|
2007
|
Noord Nederlands Orkest | |||
|
among others |
| Zeitraum | Auftrag | Werk | Auftraggebende Organisation | Auftraggebende Person |
|---|---|---|---|---|
|
1933
| ||||
|
1979
| ||||
|
1979
|
| Time Period | Auszeichnung | Werk | Auszeichnende Organisation |
|---|---|---|---|
|
1944
|
Hamline University Minnesota: honorary doctor's degree | ||
|
1951
|
Federal Republic of Germany: : Federal Cross of Merit | ||
|
1953
|
Chapmann College Los Angeles: honorary degree | ||
|
1955
|
recognition award for music | ||
|
1960
|
Akademie der Künste Berlin: membership | ||
|
1960
|
Institute of Arts an Letters New York: membership | ||
|
1960
|
University of New Mexico: honorary doctor's degree | ||
|
1960
|
honorary membership | ||
|
1960
|
Grand Decoration of Honour in Gold | ||
|
1960
|
Grand Decoration of Honour in Silver for services to the Republic of Austria | ||
|
1963
|
Grand State Prize | ||
|
1964
|
Office of the Government of North Rhine-Westphalia: Grand Arts Award | ||
|
1965
|
Federal Republic of Germany: Grand Cross of Merits | ||
|
1965
|
Fine Arts University New Mexico: honorary doctor's degree | ||
|
1965
|
Government of Minnesota: honorary citizen | ||
|
1966
|
City of Hamburg: Bach-Prize | ||
|
1967
|
John Muir College - University of San Diego: honorary membership | ||
|
1969
|
Brandeis University: music prize | ||
|
1970
|
State Opera Hamburg: honorary membership | ||
|
1970
|
City of Brunswick: Ludwig Spohr Prize | ||
|
1970
|
University of California San Diego: Regent's Lecturer | ||
|
1970
|
honorary membership | ||
|
1970
|
Ring of honour | ||
|
1975
|
Decoration of Honour for Science and the Arts | ||
|
1975
|
New England Conservatory of Music: honorary doctor's degree | ||
|
1977
|
Philadelphia Musical Academy: honorary doctor's degree | ||
|
1978
|
Office of the Government of Hesse: Goethe Plakette | ||
|
1980
|
Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte - GEMA: Richard Strauss Medal | ||
|
1980
|
honorary citizen | ||
|
1980
|
Grand Decoration of Honour | ||
|
1984
|
Municipal Office New Orleans: honorary citizen | ||
|
1988
|
honorary membership | ||
|
1989
|
honorary membership | ||
|
1990
|
Grand Decoration of Honour |
Krenek's work is part of this century's music history, from an Austrian, as well as an international, point of view. It also is the life-long dialectic tension between the musical creation on the one hand, and the verbal reflection about this creation and about artistic questions of the time in general which connects Krenek to Schönberg's mentality. His compositional output cannot be overlooked due to its variety and volume. It reflects the undulation of music trends in our century, which Krenek often reacted to in abruptly employed consequences. Ethical or philosophical considerations precede the most part of his oeuvre; they typify one of many ways of expressing his mental problems; his compositions aren't merely music for the sake of music, but also for the sake of the idea. Krenek the thinker is able to communicate through his music, Krenek the musician is able to communicate through his words.
Lothar Knessl: Österreichische Komponisten der Gegenwart, Vienna 1989, p. 183
17. February 1999
Krenek was one who plunged into life and greedily soaked up anything it had to offer. An artist who did not attempt to turn away from his time, but tried to dig into it. This was exactly how his music sounded. With his pieces, we could demonstrate styles of the 20th century using the works of only one composer. Late-Romanticism, Jazz, twelve-tone music, neo-classicism, serialism and electronic music: All these have been composed by Ernst Krenek without him turning into a faceless imitator.
Abendzeitung (Roland Spiegel)