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Krenek Ernst

Allgemeine Information

Geburtsjahr:  1900
Geburtsdatum:  23. August 1900
Todesjahr:  1991
Todestag:  22. Dezember 1991
Nationalität:  ,

At the age of six, Ernst Krenek - born in 1900 in Vienna - already enjoyed his first music lessons and tried to compose his first pieces. At the age of 16, he began to study at the University of Music, but his studies were interrupted in 1918 when he was enlisted in the army. After a two-term interlude at the University of Vienna, where he studied philosophy, he followed his former teacher Franz Schreker to Berlin to finish his studies in composition. Krenek's first compositions of free atonality fall into this period. Between 1923 and 1925 he went on several journeys during which he got to know other renowned contemporaries such as Friedrich Gruber, Rainer Maria Rilke and Theodor W. Adorno. After working as an assistant for Paul Bekker in Germany and the international recognition of his opera "Johnny spielt auf", he returned to Vienna in 1928, where he married his second wife. He quickly got introduced into the Viennese circles of artists (Karl Kraus, Alban Berg, Willi Reich etc.) and, in addition to his compositions, became literarily active, e.g. for the music magazine "Dreiundzwanzig", which he co-founded. In 1933, he was assigned his first big commission (Vienna State Opera "Karl V.") and, at the same time, was black-listed by the Nazis in Germany. In 1934 the world premiere of his opera "Karl V." was cancelled for political reasons. In the following years, until 1938, Krenek undertook several journeys and worked for newspapers, as well as a freelance artist. After Austria's annexation by Hitler's Germany, Krenek immigrated to the USA, where he continued his concert and lecturing activities. In 1945 he became a US citizen, and from 1950 onwards he frequently travelled back to Europe. By the mid-1950s, the first festivals focusing on Krenek's music took place. After the Krenek Festival in Madison in 1954, several similar events followed. The first festival of this kind in Austria took place in 1974: the Steirische Herbst put a focus on Krenek's works. In 1978 the Ernst-Krenek-Archive was founded in San Diego, an event followed in 1980 with the foundation of the Ernst-Krenek-Archive in the Viennese Stadt- und Landesbibliothek in Austria. In 1984, his opera "Karl V." premiered at the Vienna State Opera. Since 1986 the City of Vienna rewards composers with an award named after Ernst Krenek. In 1991 Krenek died in Palm Springs. One year later, his body was transferred to a memorial grave at the Zentralfriedhof (central cemetery) in Vienna.

Ausbildung

ZeitraumAusbildungInstrumentAusbildnerInOrganisationOrt
1916 - 1917

composition

1919

University of Vienna, Vienna: 2 terms philosophy

1920 - 1923

State Academy for Music, Berlin: composition

Tätigkeiten

ZeitraumTätigkeitOrganisationOrt
1925 - 1927

Kassel State Opera, Kassel: assistant to Paul Bekker

1927

State Opera Wiesbaden, Wiesbaden: assistant to Paul Bekker

1932

Music magazine "Dreiundzwanzig", Vienna: co-founding the magazine together with Alban Berg, Rudolph Ploderer and Willi Reich

1932 - 1933

collaboration

1939 - 1942

Universities of Michigan and Wisconsin: guest lectures

1939 - 1942

Vassar College, Poughkeepsie/N.Y: professorship for music

1942 - 1947

School of Fine Arts an der Hamline University, St. Paul/Minnesota: professorship and deanship

1947 - 1949

guest lectures at several universities in the USA

1950

International Summer School for Contemporary Music Darmstadt: lecturer

1950

beginning of concert and lecture tours through Europe

1957

Princeton University Princeton/New Jersey: guest professorship

1967

Peabody Institute, Baltimore/Maryland: guest professorship

Aufführungen (Auswahl)

ZeitraumAufführungWerkOrganisationOrt
1985

Ossiacher Stiftskirche; 85th birthday of Ernst Krenek

1989
1989

University of Music Lübeck

1996

Radio Symphony Orchestra Basel, Alte Börse Zürich

1996
1997

The Japan Shinsei Symphony Orchestra

1997

Guildhall School of Music, London

1997

Lüneburger Kammerensemble, Martinskirche Brelingen/Germany

1998

Bamberg Symphonic Orchestra Munich

1998
1998

Osnabruck Symphony Orchestra, Großes Haus der Städtischen Bühnen

1998
1998

Beethoven Academie: De Singel Theater

1999
1999

Brandenburg State Orchestra Frankfurt, Frankfurt an der Oder

1999

Philharmonic Orchestra Cologne

1999
1999
2000
2000
2000

Conductor: Peter Keuschnig

2000

Konzerthaus Berlin

2000
2000

New York/USA

2000

Folkwang-Museum, Essen/G

2000
2001

Staatsoper Unter den Linden Berlin

2001

Kleines Haus, Wiesbaden

2001

Philharmonie Berlin - Kammermusiksaal

2001

San Francisco Symphony Orchestra

2002

Kassel State Orchestra, Kassel State Opera

2002

Petersen Quartett, Konserthus, Stockholm

2002

Philharmonic Orchestra Cologne, Cologne State Opera; Arranged by Rainer Schottstädt (2002)

2002
2003

Petersen Quartett, Konzerthaus Berlin

2003
2003

Camerata Nomade, Maison des Cultures du Monde Paris

2003

Austrian Cultural Forum New York

2003

Theater Erfurt

2004

Student Ensemble of the Western Washington University

2004

German Chamber Philharmonics Bremen, Die Glocke/Bremen

2004

Burgdorfer Kammerorchester

2004

Hamburg University for Music and Theatre

2005

Philharmonic Orchestra Cologne, Cologne State Opera

2005

Cambridge University Chamber Orchestra, West Road Concert Hall Cambridge

2005

Nederlands Philharmonisch Orkest, Concertgebouw Amsterdam

2006

Orquesta Estable del Teatro Colón, Teatro Colón/Buenos Aires

2007

Orchestra Toscanini

2007

Noord Nederlands Orkest

among others

Aufträge (Auswahl)

ZeitraumAuftragWerkAuftraggebende OrganisationAuftraggebende Person
1933
1979
1979

Auszeichnungen

Time PeriodAuszeichnungWerkAuszeichnende Organisation
1944

Hamline University Minnesota: honorary doctor's degree

1951

Federal Republic of Germany: : Federal Cross of Merit

1953

Chapmann College Los Angeles: honorary degree

1955

recognition award for music

1960

Akademie der Künste Berlin: membership

1960

Institute of Arts an Letters New York: membership

1960

University of New Mexico: honorary doctor's degree

1960

honorary membership

1960

Grand Decoration of Honour in Gold

1960

Grand Decoration of Honour in Silver for services to the Republic of Austria

1963

Grand State Prize

1964

Office of the Government of North Rhine-Westphalia: Grand Arts Award

1965

Federal Republic of Germany: Grand Cross of Merits

1965

Fine Arts University New Mexico: honorary doctor's degree

1965

Government of Minnesota: honorary citizen

1966

City of Hamburg: Bach-Prize

1967

John Muir College - University of San Diego: honorary membership

1969

Brandeis University: music prize

1970

State Opera Hamburg: honorary membership

1970

City of Brunswick: Ludwig Spohr Prize

1970

University of California San Diego: Regent's Lecturer

1970

honorary membership

1970

Ring of honour

1975

Decoration of Honour for Science and the Arts

1975

New England Conservatory of Music: honorary doctor's degree

1977

Philadelphia Musical Academy: honorary doctor's degree

1978

Office of the Government of Hesse: Goethe Plakette

1980

Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte - GEMA: Richard Strauss Medal

1980

honorary citizen

1980

Grand Decoration of Honour

1984

Municipal Office New Orleans: honorary citizen

1988

honorary membership

1989

honorary membership

1990

Grand Decoration of Honour

Stilbeschreibung

Krenek's work is part of this century's music history, from an Austrian, as well as an international, point of view. It also is the life-long dialectic tension between the musical creation on the one hand, and the verbal reflection about this creation and about artistic questions of the time in general which connects Krenek to Schönberg's mentality. His compositional output cannot be overlooked due to its variety and volume. It reflects the undulation of music trends in our century, which Krenek often reacted to in abruptly employed consequences. Ethical or philosophical considerations precede the most part of his oeuvre; they typify one of many ways of expressing his mental problems; his compositions aren't merely music for the sake of music, but also for the sake of the idea. Krenek the thinker is able to communicate through his music, Krenek the musician is able to communicate through his words.
Lothar Knessl: Österreichische Komponisten der Gegenwart, Vienna 1989, p. 183

Pressestimmen

17. February 1999

Krenek was one who plunged into life and greedily soaked up anything it had to offer. An artist who did not attempt to turn away from his time, but tried to dig into it. This was exactly how his music sounded. With his pieces, we could demonstrate styles of the 20th century using the works of only one composer. Late-Romanticism, Jazz, twelve-tone music, neo-classicism, serialism and electronic music: All these have been composed by Ernst Krenek without him turning into a faceless imitator.

Abendzeitung (Roland Spiegel)

Kontakt, Links

Website:  www.krenek.at
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