© Fotografin: Andrea Mueller
| Zeitraum | Ausbildung | Instrument | AusbildnerIn | Organisation | Ort |
|---|---|---|---|---|---|
|
1980
|
school leaving examination | ||||
|
1980 - 1983
|
medicine | ||||
|
1983 - 1990
|
German philology | ||||
|
1983 - 1990
|
history | ||||
|
1985 - 1987
| |||||
|
1992
|
Graduation as Mag. phil. |
| Zeitraum | Tätigkeit | Organisation | Ort |
|---|---|---|---|
|
1989
|
sound technical works | ||
|
1989
|
sound technical works | ||
|
1991
|
Premier Colloque International de Jeunes Compositeurs de Musique Electroacoustique | ||
|
1991
|
art acquisition | ||
|
1991
|
art acquisition | ||
|
1994 - 1996
|
researcher at the Institute for Contemporary History | ||
|
1996 - 1997
|
research assistant at the Department of Cultural Studies | ||
|
1997 - 2001
|
Head of the Centre for Publishing and Media Management | ||
|
2001 - 2006
|
Managing Director of the Austrian Film Gallery | ||
|
Head of the Austrian Study Center for Film | |||
|
Das Audiovisuelle Archiv: editorial work for the journal | |||
|
Development and implementation of audio-visual media and computer concepts for various exhibitions and museums | |||
|
scientific publications in the fields of film analysis and film history, AV-media-storage | |||
|
Research on the history of electroacoustic music in Austria at the Institute of Electro-Acoustics and Experimental Music | |||
|
Development and implementation of postgraduate courses in film |
| Zeitraum | Aufführung | Werk | Organisation | Ort |
|---|---|---|---|---|
|
Concerts and radio performances in Austria, France, Colombia, Cuba and Germany |
| Time Period | Auszeichnung | Werk | Auszeichnende Organisation |
|---|---|---|---|
|
1989
|
11. Concorso Internazionale "Luigi Russolo": prize of recognition | ||
|
1989
|
recognition award | ||
|
1992
|
Österreichische Gesellschaft für Filmwissenschaft, Kommunikations- und Medienforschung: prize for research in film and television | ||
|
1994
|
promotional award for science |
The starting point of all the compositions are always complex soundscapes, noises that are on the one side fit together as "ready-mades", on the other side get filtered through multiple processes of transformation and then are put into new morphological relationships. The processual-gestural structures that occur, eventually coagulate to izarre soundscapes.
Gerald Trimmel, 1996