But still attached to Life at all four Corners
SOLO: Mezzosopran (1)
Traversflöte (1), Viola da Gamba (1), Perkussion (1), Cembalo (1), Live-Elektronik, Feder und eine Papierskulptur
Beschreibung
"I made the paper sculpture myself, by wrapping a mannikin puppet with molded layers of simple wrapping-paper. The singer stands behind the sculpture and uses it as a versatile percussion instrument, to be treated with precisely timed movements notated in the score. The title is inspired by a line from the text by Virginia Woolf. The live electronic setup is partially controlled by feathers moved over light sensors."
Pia Palme (2013)
Uraufführung
31. Dezember 2013 - Wien, DUNKLE ZEITEN WIEN
Mitwirkende: Lore Lixenberg (Mezzosopran), Berndt Thurner (Perkussion), Pia Palme (Live-Elektronik), Barockensemble (a=415 hz) - Sylvie Lacroix (Traversflöte), Sonja Leipold (Cembalo), Eva Neunhäuserer (Viola da Gamba).
Weitere Informationen: Libretto by Pia Palme with texts from Margret Kreidl, SCHLAFEN WEINEN (2002), Virginia Woolf, A Room of One’s Own (1928).
The piece includes a fragments/a deconstructed version of the ‘Prelude’ in G-minor from ‘Pieces de Clavecin’ (1687) by Elisabeth Jacquet de La Guerre.
Aufnahme
Titel: BUT STILL ATTACHED TO LIFE AT ALL FOUR CORNERS_cut1(Palme 12/2013)
Plattform: SoundCloud
Herausgeber: palmeworks
Datum: 7. Januar 2014
Mitwirkende: Lore Lixenberg (Mezzosopran), Berndt Thurner (Perkussion), Pia Palme (Live-Elektronik), Barockensemble (a=415 hz) - Sylvie Lacroix (Traversflöte), Sonja Leipold (Cembalo), Eva Neunhäuserer (Viola da Gamba)